12/14/2023 0 Comments The expert swordsmans companion pdf![]() ![]() ![]() The terms refer what you do in a specific tactical situation (of which measure is only a part), and especially to the relationship of the blades when they meet. There are several plays that don’t fit this theory, but most critically it overlooks the fundamental point of his book, which is not a catalogue, but the representation of a system. In other words, Fiore catalogued his longsword techniques by measure. I (and everyone else at the time) thought they indicated the distance at which techniques occurred. I could not resist correcting the single most egregious and pervasive misinterpretation in the book, which was my use of the Italian terms giocco largo and giocco stretto. To that end I have made relatively few changes in this second edition, just correcting a few typos, excising a few unfortunate remarks, and footnoting the most outstanding errors. But I think this book is still useful, in that it contains the essence of why we should follow the art, and it offers a window into what was considered state-of-the-art only a decade or so ago. There was no point in trying to update this book – just about everything would have had to be changed. My understanding of the historical material reached the point where it was ready to be written down in full in about 2010, and it has been published as the three-volume Mastering the Art of Arms series. My inbox full of emails from people from all over the world telling me how much my book has helped them suggests that it did its job. This was supposed to keep everyone busy while I got on with figuring out the sources. But there seemed to me to be a need for a basic primer in the use of a longsword, so that people who wanted to take up the practice of the art could do so in a useful and systematic way. I knew full well that I as an instructor, and we as a community, had not even begun to understand the depths of these arts. I wrote this book at a time when my research into our medieval combat heritage was at a very basic level. In 2012 the copyright reverted to me in its entirety, so I was free to make the book widely available at a reasonable price. This was a silly price to pay for a book that, from a practical point of view, was already thoroughly out of date. By 2007 it was out of print, though still in demand, with second-hand copies fetching sums in the hundreds of dollars. The Swordsman’s Companion put my school on the map, and brought my work to the attention of several thousand enthusiasts worldwide. In 2004 I had a book published that changed my life. A Modern Training Manual for Medieval Longswordĭesign by Zebedee Design & Typesetting Services ![]()
0 Comments
Leave a Reply. |
AuthorWrite something about yourself. No need to be fancy, just an overview. ArchivesCategories |